All posts filed under: Images

Poems from “Strange Country” by Kimberly Campanello

These poems were first published by Tears in The Fence and are © Kimberly Campanello Kimberly Campanello was born in Elkhart, Indiana. She now lives in Dublin and London. She was the featured poet in the Summer 2010 issue of The Stinging Fly, and her pamphlet Spinning Cities was published by Wurm Press in 2011 . Her poems have appeared in magazines in the US, UK, and Ireland, including  nthposition , Burning Bush II, Abridged , and The Irish Left Review . Her books are Consent published by Doire Press, and Strange Country Published by Penny Dreadful (2015) ZimZalla will publish MOTHERBABYHOME, a book of conceptual poetry in 2016.   Strange Country can be bought from Penny Dreadful Publications Sanctus by Kimberly Campanello We Protect The Weak by Kimberly Campanello

Honour the women of Irish Theatre

I very rarely add petitions on Poethead, but in the case of The Abbey Theatre’s baffling exclusion of women artists from the 1916-2016 Centenary I am willing to make an exception for a number of days. The issue of authority in the literary arts has always been problematic in Ireland. In poetry, in literature, and now in theatre it is usual for exclusions to occur. That exclusion is hurtful, demeaning and abusive is too much for me. That I saw my heroine Olwen Fouéré holding up a bit of paper calling for parity of esteem this morning has really angered me. They should be throwing roses at her feet. The idea that a skewed exclusionary narrative represents the intellectual and creative development of the idea of ‘State’ is not on. It is not acceptable. Eavan Boland referred to the absence of women artists in the canon as a ‘suppressed narrative’, there are too many fine Irish women artists for this type of exclusion to manifest at critical junctures in state celebratory events, in this instance …

‘Janus- His Mistress Responds’ and other poems by Peter O’Neill

Kitchen Maid with the Supper at Emmaus, by Diego Velasquez (1617-1618) For Máire Holmes Through the serving hatch, or silent butler, The Christ is seen at the moment of revelation, While the maid, in the foreground, averts her eyes From the immediate task at hand. The bowl, which is falling from the table, Like a globe, and which has just startled her Is certainly for mixing the ingredients; As the garlic lying temptingly to her side would testify. With it, no doubt, the contents of the mortar; Pepper and the ‘fine spice’ to add to her Dobladura De Carnero – Hercules being Mythologised in the toasted hazelnuts. Circumnavigating the room, bread breaks to thunder clap, And the bowl erupts at the announcement of the returning of the lamb. Dies Solis… An unseen yellow dwarf, over one million KMs In diameter, transforming 620 million mega tons Of hydrogen into helium per second, in a process Of thermo nuclear fusion, generates luminance, Which is transported upon solar winds, Taking eight minutes and sixteen seconds to touch The …

‘The Dream Clock’ and other visual poetry by Susan Connolly

Susan Connolly’s first collection of poetry For the Stranger was published by the Dedalus Press in 1993. She was awarded the Patrick and Katherine Kavanagh Fellowship in Poetry in 2001. Her second collection Forest Music was published by Shearsman Books in 2009. Shearsman published her chapbook The Sun-Artist: a book of pattern poems in 2013. She lives in Drogheda, Co. Louth.

“Phoenix” and other poems by Müesser Yeniay

The House of God   We landed from the house of God to the island of heart we came into being we are at the house of earth bodies are celestial   Phoenix Poeta pirata est I should be a phoenix to the peaks of my imagination I should see the tips of my horizon and introduce myself to it never I wish anything remains hidden from me since I came here to see the front and behind both of dreams and reality Woman The wind is blowing that sweeps the sand around words Everybody is calling God! I am taking myself from inside and putting it out with my hands. I am the place where human-being is less God is more. Phoenix and other poems are © Müesser Yeniay MÜESSER YENİAY was born in İzmir, 1984; she graduated from Ege University, with a degree in English Language and Literature. She took her M.A on Turkish Literature at Bilkent University. She has won several prizes in Turkey including Yunus Emre (2006), Homeros Attila İlhan (2007), …