All posts filed under: Images

‘The Dream Clock’ and other visual poetry by Susan Connolly

Susan Connolly’s first collection of poetry For the Stranger was published by the Dedalus Press in 1993. She was awarded the Patrick and Katherine Kavanagh Fellowship in Poetry in 2001. Her second collection Forest Music was published by Shearsman Books in 2009. Shearsman published her chapbook The Sun-Artist: a book of pattern poems in 2013. She lives in Drogheda, Co. Louth.

“Phoenix” and other poems by Müesser Yeniay

The House of God   We landed from the house of God to the island of heart we came into being we are at the house of earth bodies are celestial   Phoenix Poeta pirata est I should be a phoenix to the peaks of my imagination I should see the tips of my horizon and introduce myself to it never I wish anything remains hidden from me since I came here to see the front and behind both of dreams and reality Woman The wind is blowing that sweeps the sand around words Everybody is calling God! I am taking myself from inside and putting it out with my hands. I am the place where human-being is less God is more. Phoenix and other poems are © Müesser Yeniay MÜESSER YENİAY was born in İzmir, 1984; she graduated from Ege University, with a degree in English Language and Literature. She took her M.A on Turkish Literature at Bilkent University. She has won several prizes in Turkey including Yunus Emre (2006), Homeros Attila İlhan (2007), …

‘the goldberg variations’ by Chris Murray

scene 1: the goldberg variations   a kiosk at the end of a dark train in an abandoned travelyard: two shadowmen ravel orange round about their nothing much the magician in his moth coat appears in a vaudeville flourish. your piano balcony is high above the narrow stone street, your piano plays the rescued Goldberg, plays, and plays through its charred pages, – their black edges. it is the gothic quarter men move in their coffins.  their coffins are white with crosses on (red)  their coffins are on narrow shelves of (stone) aside an archivum (shades of gray):     a shady tree     an etched stone     a skull and crossbones Scene 2 : the goldberg variations     that indestructible piano! the undestroyed Goldberg is playing (again) wending its tones above a skatepark of bullet-glass (the melody plays, yes). I see that:  the romans left their life-size eggs and urns below the city  stitches pull and sting on the underside of my elbow (pain) softening the blow here and here there is no stitching …

‘Blackbird’ and other poems by Imogen Forster

Testudo   A bone-hard carapace, a shell cast on a hot shore, emptied by the labour of leaving the nurturing sea, scraping broad ribbons up the sand’s glassy slope .   Gasping, digging a damp hole, she lays round, sticky eggs, a hundred leathery balls. Then spent, noon-dried, she dies, picked clean by quick scavengers.   Her hatchlings flail and scuttle towards the sea, led by the gazing moon, their plates small patterned purses, hardened in the rich sea-soup into a vaulted chamber built to the blueprints of this old architecture.   Published in Visual Verse   Blackbird   The blackbird sits, a smudge in the prickly hedge, stooped, wings and tail all downward.   I want to touch him, to feel the quick, warm shape in a cage of bare branches.   What does a bird fluffed against the cold see in his crouched stillness?   If I could grasp him by his ashy back, hold his whole breathing body in my hand   what would the soft bones tell me, the barbed primaries …

intv. Kimberly Campanello at the Prague Micro Festival

  AN INTERVIEW WITH KIMBERLY CAMPANELLO BY CHRISTINA SCHNEEKLOTH SJØGAARD   Kimberly Campanello was born in Elkhart, Indiana, and she now lives in Dublin and London. She has an MFA in Creative Writing, an MA in Gender Studies and she recently got a PhD in Creative Writing. She has written a pamphlet called Spinning Cities, which was published in 2011 by Wurm Press. She later wrote her first full-length poetry collection called Consent in 2013, published by Doire Press, and in 2015 her new collection of conceptual poetry MOTHERBABYHOME will be published by zimZalla. Also in 2015, Strange Country, her full-length poetry collection on the sheela-na-gig stone carvings will be published by The Dreadful Press. Campanello’s work is influenced by investigation of the society in Ireland from a multi-angled feministic viewpoint. Her poems are often of a highly political nature, and she seems to search for justice in an unjust society.   Questions: First of all, you have lived in different places in the United States, and now you live in Dublin and are often …