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“Magic Bullet” and other poems by Rus Khomutoff

  Untitled for Andre Breton   Nostalgic sentiments and new wave nocturnes intersecting in a normal chaos of life an hourglass of neglected affinities idols of saturated phenomena night of filth, night of flowers the aporia of revelation   Magic Bullet (for Tristan Tzara)    Smell of death smell of life of embrace a medicine of moments semiquavers and sundial conductors of the postspectacle deposits of legitimacy left behind sortilege of the divine decree words in blood like flowers   Grand Hotel Abyss    Selenophilia of our being the obscuring of the queen vexed in your hollow divine incipience of the notable nonesuch like fragrant paperwhites in the corner of the transcendental frame pleasure ground of annulled pretext in hysterically real daymares everyday extraordinary grand hotel abyss   Masque of the minutes for Adam Lovasz    Masque of the minutes like a red psychotonic cry agnosia of the just interloper scarlet bellowing of the deep end excisions on vacuous origins temporal flight of the elemental route   Hygge    A sense of timelessness surrounds her …

“Woman’s Song” and other poems by Gülten Akın

Poems from What Have You Carried Over?: Poems of 42 Days and Other Works by Gülten Akın, translated by Saliha Paker and Mel Kenne   Spring Oh, no one’s got the time to stop’n think about fine things With broad brush-strokes they move along Sketching homes kids graves onto the world Some are obviously lost when a rhyme starts up With one look they shut it all out And the rhyme enters the night, as fine things do Some pus in your breasts, some fish, some tears Sea sea sea you turn into a giant Evenings your fog creeps up the river-mouths Raids our hazel-nuts What to do with their blackening buds We beg our children: go hungry for a while We beg the tycoons Please, one less “Hotel,” one secret marriage less to sketch Please one less bank, a plea From us to you and from you to those abroad We send our wives out to get a manicure, to say —sir, if you please— We send our children out to beg We’re off …

“Bookmarking The Oasis” and other poems by K. Srilata

Things I didn’t know I loved (after Nazim Hikmet) I didn’t know I loved windows so much but I do – enough to wrestle someone to the ground over them, so light can, once again, flood my eyes. I didn’t know I loved bare feet so much, or walking away on them to wherever point, my heart slung over my shoulder like a sheep-skin bag. I didn’t know I loved small islands of quiet in the middle of the day, but I do – they feel like old friends. I didn’t know I loved the idea of night descending like a tired bird or birds flying in and out of rooms and poems but I do. I didn’t know I loved so many things. Only now that I have read Hikmet, am I setting them free, one by one. from Bookmarking the Oasis(Poetrywala, 2015) Looking for Light, Sunbirds I wish I could show you, when you are lonely or in darkness, the astonishing light of your own being. (Hafiz of Shiraz) Looking for light, sunbirds …

From “Parvit of Agelast” and other poems by Máighréad Medbh

  From Parvit of Agelast (Verse Fantasy, to be published by Arlen House in 2016. The poems below are aspects of the ‘real’ world.) ‘Your face is ridiculous: O. . . . . leeeeee ugly 🙂 ❤ / thanks, sure i know !’ :L’ – Ciara Pugsley, ask.fm net whn th little lite shinin frm abve doesnt n younguns mad fr luv r spected 2 b home thumbs go drum on magic pads n open windows so they travel in thr dreambots huntin souls they go weft upon th crystal warp unshuttled hookin up witout a plan 2 build a planet trances risin tru th base n snare of ask n tell wot u c is wot u feel n wot u feels rite tho snot a total giggle when th trolls r out —no1 knows th cause like with any freakin demic— bitch please u aint jesus wots wit all the posin howd u like my cock up ur ass, u cross-eyed ho som1 feelin tiny in the sprawlin fabric hauls back in2 her drum …

“Cuween Chambered Cairn” and other poems by Tim Miller

Cuween Chambered Cairn   I should go on my hands and knees to you, you farmers from five thousand years ago. Even though your skulls are no longer here or the small skulls of your two dozen dogs, in retrospect I realize how wise I was, dipping in and out of your dark —the familiar main chamber and three rooms— to never pause in all my picture-taking to never stop and extinguish the light to have found you at the end of the day, so that we were tired and a bit rushed. Something like the terror at what went on here would have overwhelmed me in the moment, the seriousness of generations which I only became aware of later: like an ancient fireplace still smudged with smoke, our shoulders were soiled from the gloom on your hands.   Horses on Orkney   Horses curled in the flaming spiral of sleep, the huge immensity of their bodies   belied by the blankets they wear, or the tight scroll they twist themselves into on the ground, …