The fact that a new generation of emergent writers must await vehicles like Poetry Ireland Introductions to find an audience stinks of a paternalistic approach to poetic works that sees a few dominant poets stand between the reader and the work, as if it were radioactive. The poetry audience is not remedial and they like to go searching, hence from Ireland they will go to where accessibility is respected, to UBUWEB, to PENNSound, to Jacket2, to The Electronic Poetry Center.
The Electronic Poetry Center (U.S) was founded in 1995. UBUWEB was founded by Kenneth Goldsmith in 1996, it is an audio archive housing avant-garde works including visual, concrete and sound poetry, UBU also holds film files. PENNSound was founded in 2003. To date, not one Irish University has made a step towards providing accessible poetry archives in Ireland. Poetry Ireland has not gone an inch toward increasing accessibility to Irish audio poetry. Why is this ?
Whatever way we choose to look at this situation, we can see that despite the tourist push on arts here, we are one to two generations behind best practice in the area of accessibility to audio poetry. Instead we have a focus on pushing a few poets, mainly to the American market, and beneath the colossus-like feet of the Yeats, the Muldoons, the Heaneys, and the presidential poets, the green shoots are strangled and…
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