Poems by Eileen Sheehan

an elegy of sorts

 
for want of an ash-tray
I rest my cigarette
on this grey plate,
a remnant
from some depleted set,
now serving as candle-holder
 
the cigarette tip sizzles
as it hits a pat of wax
 
I inhale and taste the tallow
as red seeps down the paper
stains the filter
 
a last molten drop
from a crimson candle, lit
as votive for an injured cat
 
the cat now buried
in a sunny spot
by the back wall
 
a favoured place of his
for grooming
 
somewhere
there was a point to all of this
which now evades me
 
like that raw evening,
placing his still-warm body
in the grave, how everything
but the weeping
failed me
 
© Eileen Sheehan , from the collection Down the Sunlit Hall (Doghouse Books)

What She Sings Of

 
Once in a time he was the sky clothing me,
the warm earth supporting me,
the all-in-all of every night and day to me.
 
He was salt waves washing me,
he was wind caressing me, fire igniting me,
the first and last of every cause that moved me.
 
He was fish that jumped for me,
bird that sang for me, beast that nourished me,
the craving and cure of every need inside of me.
 
Now he is a bright ship pulling away from me,
white sail gone from me, his rough wake drowning me,
he is shimmer of scales growing out of me;
 
soon I will sing to him, comb out my hair for him,
draw him back to me, lure him down to me.
 
© Eileen Sheehan
 
first published in The Watchful Heart: A New Generation of Irish Poets (ed Joan McBreen/Salmon Poetry)

Eileen Sheehan

Eileen Sheehan

Eileen Sheehan is from Killarney, Co Kerry. Her collections are Song of the Midnight Fox and Down the Sunlit Hall (Doghouse Books). Anthology publications include The Watchful Heart: A New Generation of Irish Poets (ed Joan McBreen/Salmon Poetry) and TEXT: A Transition Year English Reader (ed Niall MacMonagle/ Celtic Press). She has worked as Poet in Residence with Limerick Co Council Arts Office and is on the organizing committee for Éigse Michael Hartnett Literary & Arts Festival. Her third collection, The Narrow Place of Souls, is forthcoming.

 

Poems by Michèle Vassal

Drunk as Brendan Behan

“Lovers    lovers
their empty skins
hang limp in opiate closets
pulsing between insinuations
of naphthalene and the barbitural scent
of forgetting, they swing embittered
and toxic, mothy costumes
of a play that lingers only
on faded posters
and skin.

On the wrong side of midnight
drunk as Brendan Behan
I scooped up a last high king
kneeling on Clontarf road
         battled out
knees sanded to the bone
by the wet grit of ancient wars
        singing
        something
about not worrying about a thing
amongst Viking corpses
on the steps of the Bank of Ireland
where Wood Quay used to be
we kissed ourselves an island.
 
I clinched a burned out arsonist
       hands shaking
     climbing railings
in Stephens Green
     ..fucking
left an aftertaste of phosphorus
        reeking red
       like inhaling
the soul of a cracked match.
 
I chased a light eyed dragon
heart caving in to the count of nine
elliptic filigree of sins I kept
twitching inside a reliquary
of abalone dreams whilst
the rosary of Chopin’s Polonaise
undid itself in silver beads.
I slashed my defeats in the wrists of actors
snorted stars on the mercurial mirrors
of their well rehearsed eyes
and DT-ed on night’s poitín
when I drank neat the distilled dew
glistening on the mouths of girls.”
 
© Michèle Vassal, published in A Taste of Hemlock, Salmon 2011
 

Dublin 75

 
Nineteen seventy five and
Mary worked Fitzwilliam square
genuflecting at closing time
for wretched men in nylon shirts
too drunk to know
too drunk to care
that whilst on bended knees
she thought only of communion.
 
From the Liberties to the Green
 
Dublin vomited poets and patriots
under the gassy glare of streetlights
leaning on convoluted shadows
and not quite balladed out
saints and scholars spewed up Spancil Hill and
Dirty Old Town, like a bad pint
In nineteen seventy five
love smelled of stout and vinegared chips.”
 
© Michèle Vassal, published in A Taste of Hemlock, Salmon 2011
 

Michèle Vassal

Michèle Vassal

Michèle Vassal is from Barcelonnette, a small town in the French Alps. She moved to Ireland, aged seventeen, to learn English and stayed there for thirty years. Her collection, Sandgames (Salmon 2000), received first prize at Listowel Writers’ Week and some of her poems were short-listed for the Hennessy/Sunday Tribune Awards. She has been widely published internationally, in both French and English. Michèle currently lives and writes in France.

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Sanctus by Kimberly Campanello

Sanctus

And what is death, he asked, your mother’s or yours or my own? – James Joyce

I.

At the English pub in Indianapolis, we discuss technology. He says he can already hear the robot’s footsteps on his grave. In the worst neighborhoods, the prairie is coming back. Cattails are pushing up through old sidewalks and nearly all the important species of sparrows have returned. A Future Farmer of America—in other words, a 14-year-old white kid from the pesticide-drenched heartland—slips backwards from a mall railing and falls to his death among the Super Pretzels and Dippin’ Dots down in the food court. I get reminded of incest dreams and the two I’ve had, one for each parent. My mother calls and gives me the run-down on which of her friends is on a morphine drip and which is in remission, and she tells me that when I get back to Miami I should get a job and always keep a full tank of gas. The homilitic style of evangelical Christianity is the same in Ghana, San Diego, Little Havana, and on Ellettsville, Indiana’s Hart Strait Road where in the abortion scene of the Halloween morality play she yanks a skinned squirrel soaked in beet juice from the screaming girl’s crotch and holds it up with food-service tongs before tossing it on a cookie sheet. You’ll have a clean slate if you accept Jesus, right now. We’ll all have a clean slate, if you accept Jesus, now. The body of Christ. Amen. The body of Christ. Amen. The body of Christ. Amen. Don’t drop it. Use a metal plate with a handle that could guillotine a communicant’s neck. And on the third day, I drank poitín at an Irish pub in Bloomington, Indiana, in fulfillment of the scriptures. Take this, all of you, and drink it. This is the bloodshine of the newest and most everlasting covenant. Don’t drop it.

II.

Death is a real bummer. We live through and for our parents and still Freud was wrong. You should hurry up and put your face right in it for an hour and that is definitely a sacrament, more so than that night in Garrucha at the misa flamenca, though the music was nice. Even the Sanctus didn’t offend me. Finally, I would add that the world is falling apart, always has been, ubi sunt qui ante nos fuerent, etc., and that my favorite sounds are when you say things like, Everything is fine, or, That cunt is mine. I hear them and I clench and unclench and I. love. you.

Tell me it’s too much. Amen.
Tell me it’s too much. Amen.
Tell me it’s too much. Amen.

Let us kneel down facing each other, holding razors.
Lather up my head and I will lather yours.
I am worthy to receive you.
I am your mirror. On which a razor
lay crossed. We’ll shave it all off.
If our knees can handle it, let’s stay like this
until it grows back, softer than before.
If they can’t, let’s make love, and say,
These are our bodies,
which will not be given up
for any of you.
Let us say our own word
and we shall be healed.

Sanctus is © Kimberly Campanello, from Consent. Published Doire Press, 2013


 

Kimberly Campanello was born in Elkhart, Indiana. She now lives in Dublin and London. She was the featured poet in the Summer 2010 issue of The Stinging Fly, and her pamphlet Spinning Cities was published by Wurm Press in 2011 . Her poems have appeared in magazines in the US, UK, and Ireland, including  nthposition , Burning Bush IIAbridged , and The Irish Left Review .

Pic by Brian Kavanagh

‘We Protect the Weak’, Kimberly Campanello

 

We Protect the Weak

We protect the weak and call it love or ethics.
For the safety of our students this door
must remain closed at all times. Ani yalda tova. I am a good girl,
I tell the Israeli jeweler who is impressed with my Hebrew.
Someone nearby says, Fuck Israel. I offer, I am a bad girl. Ani yalda ra.

 
To dance is a kind of paralysis. Muscles contract
in a certain way and we call it beautiful.
The men on the beach made me think
they were dancing tango, but instead one
was helping the other will his feet to remember
 

walking. If I had withered hands and always gave you
your pen with my teeth would you think it beautiful?
For the continued safety of our money
these checkpoints must remain closed
at all times. For the quality of our progeny these legs

 
must remain closed at all times. These minds.
This mouth. This heart. Why don’t you substitute
your for these and this? See how it feels. Ani yalda ra.
Feel that. Feel me feel you. Tell me I’m good
and bad. Tova and Ra. Let us be both…
 

© Kimberly Campanello

Kimberly will be reading at the  National Concert Hall, on Thursday, December 6th 2012. Kimberly will be read her poems on the sheela-na-gigs in Strange Country, a new work by composer Benjamin Dwyer for uilleann pipes, tape, and poetry. More information and booking details can be found at www.nch.ie.

We Protect the Weak was previously published in the pamphlet, Spinning Cities (Wurm Press, 2011). Kimberly read this poem at Catechism, Readings for Pussy Riot, in Dublin.

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Kimberly Campanello was born in Elkhart, Indiana. She now lives in Dublin and London. She was the featured poet in the Summer 2010 issue of The Stinging Fly, and her pamphlet Spinning Cities was published by Wurm Press in 2011 . Her poems have appeared in magazines in the US, UK, and Ireland, including  nthposition , Burning Bush II, Abridged , and The Irish Left Review .

Pic by Brian Kavanagh

A poem by Kit Fryatt

Months-dead grandfather
I couldn’t have written this when you were alive,
& you kept living,
unknown to me,

like someone not obscure but obsolescing
whose death surprises mainly by his
having been alive till now (I googled Lawrence Ferlinghetti
today – he’s still alive:–)

.   & unknown to my mother
.  she has a half-sister
.  three weeks younger, alike unknown

Fatherhood is a bit of a mystery
when you put it about like that.

From you I have serial faithlessness
from you she has a name
. &nbp; & a maiden name
.   that I am asked to say when asked by one of the ‘team’
.   on the Credit Card
.  Hotline, it being typically something unknown
.   to other people, even those we’re close to,
.  (I made one up)
& her hoary orphan paranoia.
© Kit Fryatt , all rights reserved
Creative Commons Licence
Untitled poem by Kit Fryatt is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Based on a work at
http://wurmimapfel.net/
.